Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

In 1990s Edinburgh, Barbara Thorburn reflects on memories of her poet mother, Greta, and her tragic death.

The minutiae of daily life on Edinburgh’s Rose Street in the fifties is presented in this impressionistic documentary piece.

A film interpretation of the poem ‘The Leaden Echo and the Golden Echo’ by Gerard Manley Hopkins. Margaret Tait speaks the poem throughout the film.